PIT BUEHLER – PHOTOGRAPHY AS A COSMOLOGY OF EXISTENCE

For more than three decades, I have pointed my camera at human beings and at what emanates from them and remains behind. Over the years, encounters, journeys, and observations have resulted in a body of work that deals with identity, the body, social signs, and the traces of human existence. In the chapter Humans if I direct my gaze towards man and his identity, in Stage on the body and its expressiveness, in Signs to the signs of our times and in Absence what remains of us, long after you have left the stage of life. My Notebooks open up a view of encounters, thoughts, and stories behind the images.

CHAPTER

Portrait of a tattooed woman in black-and-white, cradling a curled fetal sculpture with the word HUMANS above her; dramatic lighting.

HUMANS

THE HUMAN BEING

Dancer mid-leap in a flowing, embroidered costume with ribbons, black-and-white stage photo with 'STAGE' text above.

STAGE

THE BODY

Dark, graffitied wall featuring a monochrome, shirtless figure with a small red heart on the chest; the word SIGNS appears above with a line underneath.

SIGNS

OUR TRACKS

Black-and-white photo of a worn teddy bear sitting on a peeling wooden windowsill inside an abandoned, dilapidated room, conveying absence (the word ABSENCE appears above).

ABSENCE

What Remains

Album cover: a grayscale scene of a man with disheveled hair writing in a notebook at a tiled table against a dark, textured wall; the title PIT BUEHLER appears above.

Pit Buehler

BEHIND THE SCENES

Stack of worn, bound notebooks with elastic bands on a rough surface, a pen nearby, in black and white (note-taking/journaling theme).

NOTEBOOKS

STORIES BEHIND THE PICTURES

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